Friday, October 4, 2019

Rembrandt, fka Remy, RemDog




Dear Rembrandt, aka Remy, RemDog,

It is only a day and a half since you left us and our hearts are aching. Your absence leaves a literal and figurative giant hole in our lives and in our living space. I just thought I would write down some memories and message them to heaven, where I am sure you are now, reunited with your right front leg, enjoying a peanut butter kong and relaxing on a sofa, (as you were the all-time couch connoisseur), without a worry in the world and pain free.

 We brought you home from a shelter in western Virginia on December 30th 2007. We looked at the adoption form for the first time when we were almost home and noticed it said Mastiff Mix.  Haha

You were a bit of a hard luck Harry from the beginning.  You were such a mellow puppy … and then suddenly too mellow.  You came down with Parvo Virus on New Year’s Eve and spent two days at Friendship Animal Hospital in Intensive Care. This would be the beginning of your love for that place, with many more visits in your future. Miraculously you survived and this time when we brought you home you were no longer mellow -- but a wild guy!  You were big and strong even as a puppy and you could do some real damage in an astoundingly short period of time. I guess we didn’t really understand crating back then but here is a list of some of your achievements:
The lion foot leg on the oak dining room table – yes, oak -- gone in minutes.
The toes of two cleats and a custom-made mouthguard right before a big high school game. I made the excuse you were just excited for your boy, who was playing wide receiver in those days, but you are very lucky he didn’t tear his ACL that night, playing with plumber’s tape wrapped around his toes.
Every single toilet brush and dustpan in the house chewed to a nub. Some of those nubs still exist.
Two sixty-pound potted water lily plants, pulled out of the pond, shredded and strewn about the yard. I caught you red handed (pawed) and you stood there with your big goofy grin and your slow tail wag looking so proud.
And that is just to name a few. We were happy when your focus turned to bully sticks and marrow bones.

Your adolescent years were spent trying to get you to conform to societal norms. You loved everyone and everything, but we sometimes had to modify your 70 pounds of enthusiasm. When you hit the front door at a run (your unique form of greeting the mailman), I worried it wouldn’t stand the impact. Several training classes, some private tutoring, and a lot of treats did the trick.

Do you remember how much cats loved you? We’ll never forget when Jordan adopted a tiny sick kitten who we named Otis. He came into the house and started purring wildly the moment he laid eyes on you, and from that day on he thought you were his mother. Even when Otis grew into a very large snowshoe Siamese he still buried his face in your armpit and kneaded his paws into your fur until sometimes you couldn’t tolerate it anymore and you would stand up and send him flying. But he always came back for more love. Everyone did.
There was something about your hulk and kind demeanor that attracted people. I will always remember the day you were with me in a bookstore and a tall woman, elegantly dressed in business attire, came up to us. She stood there gazing at you while she stated that she didn’t like dogs. Then she got a little closer, looking at you even more intently and said, “He is very handsome.” Then she touched your soft ear and bent down to rub your head. Before I knew it, she was sitting on the floor with you between her legs, giving you a total body massage and you had rolled over into her lap. You convinced her that a dog might be a good alternative to a boyfriend. You had that effect on lots of souls through the course of your beautiful lifetime. 

One of my most “body contact” memories was during high school football preseason and Augustin and some of his buddies would come home from practice for lunch and to cool down from the summer heat. They would stretch their sweaty selves out on the sofa and watch TV and you would be right in the middle of them with their legs draped across your hulk and your big head resting in their laps. I wish I had pictures of that now.

You were a pro traveler and liked nothing better than a road trip. We sussed out the dog-friendly hotels up and down the East Coast. We would walk you up to the check-in desk, having already made a reservation for a dog “under 40 pounds” and hope that no one looked down. I’m sure they did but saw your sweet brown eyes and big smile. No one ever asked you to get on a scale. You knew to tip toe down the halls to our room as quickly as possible so as not to cause a distraction. You always enjoyed a king size bed and a good night’s sleep on nice linens.

You liked a vacation as much as anybody and loved taking the ferry over to Block Island or a trip to the Berkshires. One year I decided that I wanted you to learn to kayak with me. We practiced first on dry ground. You learned to “wait” while I got in, then slowly squeeze into the small space in front of me. When we got to the lake, all went well even with the kayak heavily listing toward the front. Then we got a little too close to the shore and you decided to disembark and do some exploring -- through poison ivy -- then came back to the kayak and settled back in between my legs. Enough said. It was a very itchy remainder of the summer.

And then there was the relationship you had with my teenage art students. This part really brings tears because it was so meaningful to me. You knew the days that I had classes and you seemed to know who was coming. You knew the ones that were stressed, the ones who had had a rough day at school, or whose parents were going through a divorce, or the ones who had just had a break up with a boyfriend or girlfriend, or the one who had no friends at all. You would greet them as they entered the studio and flop down on the floor at their feet and they would flop down with you and bury their face in your broad back and stroke your fur. Then after a little while they would gather themselves and go to their easels and start to draw, calmed and renewed. Anyone who ever doubts the concept of a therapy dog should have born witness to the effect you had on these kids. And sometimes they drew you. There were some wonderful drawings of RemDog over the years. All we had to do was pose you in front of a donut and say “leave it” and you were the perfect model.

You were also a champion foster brother to many puppies and fearful dogs. You could make a rambunctious litter of five sit at attention with a soft but firm “ruff”.  We called you “The Sheriff”. You also knew intrinsically how strong or gentle you needed to be from a chihuahua puppy to a big 14-week-old pit mix who needed some exercise. One of your most touching charges was the special needs puppy from Lucky Dog we fostered for four months. All four of her legs were malformed from birth and Lucky Dog had provided her surgery on her front legs to try to give her some mobility. She was terribly fragile, and her bones broke easily, so you couldn’t play with her. But boy she adored you and you knew that. You would lie by the puppy pen and she would wiggle up to you and give you kisses through the bars. You were the braveheart to our shy fosters. Just your presence made them feel safe and more confident, and your enthusiasm for everyone who entered the house gave them a new attitude toward life.

There is a long list of funny stories but I just want to remind you of a few. We don’t want people thinking you are a saint, right? Did I mention that you were very food focused?! There was the Washington Post Sports department holiday party each year that you enjoyed thoroughly.  One year someone brought a platter of beautifully decorated cupcakes. At the end of the party, a little girl came up to me, tugged on my skirt and said “you know what? I just saw your dog eat 19 cupcakes and I counted.”  You were fine because you were a gastronomical tank.

A year ago July when you were limping I feared the worst. An x-ray at Friendship Hospital showed that you had bone cancer at the top of your humerous and there was no alternative to amputating your front leg. Everyone was worried because you were a big guy with a giant head and already had an iffy back leg (from a prior run in with a Hummer on Connecticut Avenue that led to FHO surgery at Friendship. This is another story for another day). But we were not ready to part with you.  So the surgeon took off your leg and stitched you up with the most elegant strip of stitches I have ever laid eyes on. And you know what? You did great. Within 24 hours you were up on three legs and learning to maneuver. There are times when having a huge food drive really pays off -- anything for a cheese stick! With the help of a big stroller/bike trailer thingy you could do anything and never missed a walk in the neighborhood, a stroll to Bethesda for a Sunday morning bagel, a trip to see friends at Strosniders Hardware, a vacation, or a party. You loved your weekly visit to your favorite, lamb treat generous physical therapists and your best friend Matt at Friendship. Fourteen months of a full life. But then that big C raised its ugly head again in your lung and spleen. Once again you were a trooper and an inspiration until the bitter end.

Rembrandt, aka Remy, RemDog, we are going to miss you buddy -- your big warm calming presence, your goofy smile, your gorgeous brown eyes and soft ears. But we know you are up there in dog heaven seeing old friends and making new ones and romping around on all four legs.
We love you. Forever.



Modeling in the Drawing Studio

Roadtrip! with siblings

This past August in Maine

So good at making others comfortable

With his special foster sister Deana, now Danica

Another shot with her
With human sister. A classic RemDog look

Best snuggle of all with human brother

The summer of the kayak adventure

Sharing a cigar and a bullystick with dad


Wednesday, July 24, 2019

Shine Theory and the Sentry Lionesses, oil on linen, 50" x 50"

I completed Shine Theory a few weeks ago. Sometimes the idea for a painting evolves as I compose. Images appear and disappear. The music I am listening to changes. The mood swings and swings back. This is one of those paintings. It is lots of things to me. It is about a safe and quiet space. It is about vulnerability. It is about allowing the light that glows from others fall onto you and glisten. It is about illumination. It is about the meaning of beauty. So just gaze at it and let it be whatever it means to you.  


Here are a few words by the poet Marcin Brykczynski 

A white heron's dream 
The orange moon 
Is blinking 
Over the roofs of Manhattan 
Don't answer 
If he asks you 
About the dreams 
The white heron has brought 
You don't have to reveal it 
As long as the lions you dream 
Protect you 
Against the curiosity of the world

Monday, June 3, 2019

"LIterary Dogs and a Few Cats" Connie Morella Library Bethesda Maryland- The Installation April 12, 2019

I recently had the great opportunity to do a mural for the Connie Morella Library in Bethesda, Maryland. It is 40' long and 5' tall. I painted it in my studio on a giant scroll contraption, rolling out 8 feet of canvas at a time. It is painted in Golden Matte Fluid Acrylics on primed canvas.  It took me 5 weeks working 6 days a week and on the seventh day we rolled up one section and rolled out the next blank 8 feet of canvas.  Rolling it took four people because of the weight.  It was installed April 12th by Jim Lackford of Paper and Paint in Silver Spring. Thank goodness for his expertise!
It was wonderful having so many dogs and cats in my studio for awhile! I miss them but I can always go to the library to visit. It is really nice to have a mural in my own community!


roll out on the library floor pre- intall



video of Jim installing


installation 

Big Red, Lassie, Jack and Bandit, Old Yeller, Buck, White Fang, Luath, and half of Bodger

 
Bodger, Teo, My Dog Skip, Fang and Crukshanks


Winn Dixie, Cat, Big Dan and Little Annie, Sounder, and in the air -Asta

on the right- Thy Servant Dog by Rudyard Kipling


Nana from Peter Pan


Ribsy, Zoe, The Watchdog, Charley

my favorite- Beautiful Joe, his friend, and Puss 'n Boots


view from left of circulation desk

full view



some touch up

Tuesday, April 30, 2019

Portrait through Still Life

A few years ago a mother of three daughters asked me to do a little still life for the middle daughter as a high school graduation gift. She brought me various objects and photos to include that represented her daughter's childhood. There are two of her favorite stuffed animals, a favorite pink perfume bottle, her rosary beads, a special box, a bracelet, and a photograph of the Australian Shepherd she grew up with.  There is also a swimming medal (she is a great swimmer!), and an envelope with the Sacred Heart logo on it, representing her education. The background is a William Morris design with lilies for her name.

A few years later the youngest daughter was graduating from the same school and I was honored to do a portrait for her as well. This daughter was quite an outdoorsman and an artist well as a swimmer. She liked a different color palette. Her well worn hiking boots anchor the composition posed with her very much loved stuffed rabbit. Also from her outdoor life are a couple knives, one for whittling and one for everything else. Her school team swim cap is in the painting as well as her blue goggles. Some of her creative projects -an amazing duct tape cap, a cup and a few other items complete the composition. (She made a lot of beautiful pottery while in high school which I had the pleasure of seeing when I helped her assemble her portfolio). And not to be forgotten is her favorite book "The Hobbit" and a little photo of herself with her sisters. In this painting the Sacred Heart logo is pinned to the wall. 


The oldest daughter graduated in 2018 with an MBA from University of Chicago and her mom asked me to do a still life portrait for her on this very important occasion. (We didn't do a portrait for her when she graduated from high school because her parents had given her a study from the Jacksonville Murals that I had painted during the time she was growing up. She was a huge Harry Potter fan and the study was of Hedwig.) 

So this daughter's portrait became an amalgam of objects from her childhood as well as her current life as a young woman living and working in Chicago. Raggedy Ann and Andy were made for her by her grandmother. The mirror, perfume bottle and tray sat on her childhood dresser.  Other favorite objects in the painting are the pearls, a silver bracelet and her class ring which bears the logo of the Sacred Heart. The shared experience of being educated at a Sacred Heart school was important to the three sisters. They are very close to each other even though they live spread out across the country.   
The two books depicted are "book ends" to her love of literature. "Chronicles of Narnia" was read to her by her father when she was a child, and she read Anna Karenina while an undergrad at Northwestern. Another nod to her time at Northwestern is the purple lanyard draped across the mirror. Also on the mirror is a small photo of the three girls when the youngest was a tiny baby. The two older sisters hold her between them in their arms. A crucifix that  hung on her childhood bedroom wall is reflected in the mirror. The envelope that rests on top of the books displays the University of Chicago graduate school logo, emphasizing the transition of time/stages of life that are present in the painting. The Chicago skyline, her current home, defines the landscape behind the objects and reflects the foreground composition.    




Wednesday, October 31, 2018

Adrienne's Feast, oil on linen, 24" x 40"


I loved doing this painting because it reminded me of an Italian predella panel that tell the story of the life of a saint in the various stages of their life and work.
This is Adrienne, mother of four, cherished and adored wife, talented and much traveled cook, and animal lover. Adrienne saw my painting "Lake House after the Storm" and related to it having experienced the flooding from Hurricane Harvey in Houston, Texas where she lives. She had a birthday coming up and her husband Jody contacted me. After some discussion, and learning that Lake House was no longer available, Jody asked me to create a painting specifically for his wife, including things that were dear to her. Jody was wonderful to work with as he had studied a number of my paintings and had a good idea of what I needed. He also liked the composition in Lake House-a series of arches that structure the rectangle so we decided to do something similar for Adrienne's painting. He sent me family photos and pictures of their home and their dogs and cats (a wonderful menagerie!). He told me some great stories and family legends including the phenomenon of the Christ figure statuette from Rio de Janeiro that continuously turns to face them no matter how many times they straighten him to face forward. The figure is included in the painting on a pedestal...facing Adrienne. Adrienne's three sons are grown men now but in the painting they are young boys playing ball, visible through the arch on the left. Adrienne lost a baby girl but the child lives on in her heart so Jody asked that I include a little girl in the painting. She is in the arch to the right, in a translucent pink dress, releasing white doves into the sky, where images of Adriennes's mother and father and brother Michael, are subtly represented in the cloud formations. The bookshelves are lined with Adrienne's collection of cookbooks that she formed during many international trips. Adrienne is wearing a formal blue gown that she wore as mother of the groom in her son's wedding. Some other small things are another painting of mine, called White Stockings, which they have in their collection as well as a few images of creatures that come and go on their property in Houston including deer, a white heron, and the hen that is watching Adrienne closely while she prepares a feast. Note- a favorite book and film of Adrienne's and Jody's is Babette's Feast, and Jody decided that Adrienne's Feast would be a perfect title because of the way she instills love into all aspects of her life. 




Thursday, May 3, 2018

View from the Terrace-a Narrative Portrait

"View from the Terrace", oil on linen, 34" x 40"

Sometimes the resources my narrative portrait clients give me to work with allow me to take a virtual vacation in a beautiful location. This was definitely the scenario with John and Lee Stough. John is in real estate and Lee is an interior designer. They love dogs, travel, food, family and history and their lives revolve around those things. They bought and restored a medieval village house in Umbria, Italy and they moved a circa 1800 log meeting house from Kentucky to Sewanee Tennessee and built a house around it. So these were the rich and visually wonderful things I could incorporate into the composition. 
Since their Italian homes are in Umbria, I decided to structure the painting around the architecture from a painting by one of my favorite Umbrian painters- Perugino. I have always loved the geometry of the arches in Delivery of the Keys. I wanted the arches to open to an expansive landscape that would evoke the views they enjoy in both Sewanee and Ficulle so I settled the log home on a rolling hill, visible through the left side arch. A medieval village, inspired by another Early Renaissance fresco, is in the center and an Italian village, inspired by their village in Umbria, sits beyond the terrace on the right side above the grape arbor. John and Lee provided me with a photo of themselves dining al fresco and the two dogs are their beloved Brittany Spaniels Gracie and Tyler- one is on the trail of a clever rabbit (their daughter's nickname is "Bunny" and the other is contemplating disturbing a hungry Bear (their son's nickname). There are chairs at the table for both their children  when they visit and a tool box in the foreground to represent their self-confessed "addiction to sawdust". 

Thumbnail sketch 

Perugino's arches


Thursday, January 25, 2018

End of an Era- a quarter century- Private Sale

I am moving my studio for the first time in 25 years. It has been a lovely studio at the top of my house, full of light and space. I am going to miss it but I am ready for a change and with change will come more ideas and more paintings. So before I leave it I want to clear out my painting racks to make room for the next stage both mentally and physically.  I decided to have a little sale of these items for my dearest friends and patrons. There are small paintings and drawings. Have a look and if there is something you would like to have let me know right away. These are all from different stages of my career-different themes and different series dating all the way back to when we lived in Brooklyn. Sizes are approximate. Some of the photos are not that great because I have been packing my studio and decided to do this at the last minute. Some things never change!


"After School", egg tempera and oil emulsion on panel, Brooklyn New York, $500

             "Girl with Green Cowboy Boots and Cat", oil on panel, 10" x 11" framed $350 sold

Education of the other Senses-Touch, oil on panel, 20" x 24", this painting was in a solo show called "Sense and Sensibility" shown at the Tatistcheff Gallery, 57th Street, NYC. $400 framed sold

 "Angel and Bear", 9" x 12", oil on panel, unframed-from the Toward a Peaceable Kingdom series $100
"Girl Catching a Ball", 5" x 8", oil on panel-from my Brooklyn days $100 sold

Liberation of the Tigers, oil on panel,  16" x 20", Study for the Peaceable Kingdom painting of the same name that is in the Cleveland Clinic, Naples FL, $350 sold

Lovers, oil on panel, 9" x 12"-from my Brooklyn days- $150

Sisters, 11" x 14", oil on panel, Brooklyn days, $150

The Guardian, 11" x 14", oil on panel, Block Island, $350 framed sold

The Rescue,  28" x 32", oil on wood- I am and will always be in awe of Italian predella painting and for a period when I was living in London, I did several multiple panel narrative paintings inspired by them. I have always loved telling stories.  $500 sold

 Three Graces, 10" x 12", oil on panel- from my Girls and Ravens series. A painting from this series is in the Polk Museum in Naples, Florida.This was a study for the large version, which resides in DC $350 framed sold
Zebras Running, oil on panel, 16" x 20"- Study for The Peaceable Kingdom series. The large version 
is in the Cleveland Clinic (I think) sold

Drawings
all drawings are $200
"Arbor Day", sepia ink on paper,  study for painting of the same name which was shown at Tatistcheff Gallery, 57th street NYC 
"Black Bird Fly", charcoal on paper, study for a big painting called Black Bird Fly that I did in London which was shown at Tatistcheff Gallery 57th street

"Cello in the Woods", graphite on paper, study for a painting in the Stories from the Woods series

 "Counting Sheep", charcoal on paper, study for a painting I did in London and was shown at Tatistcheff Gallery, in Chelsea sold
"Let the Poet Sleep", sepia ink on paper, -a theme I have done several times and will return to. The first "Let the Poet Sleep was done in Warsaw, Poland and shown at Tatistcheff Gallery, 57th Street

London Mounted Policeman, charcoal on paper, a study for the painting "Black Bird Fly", which was done in London, and shown at Tatistcheff Gallery 57th street sold

Rowboat, Hyde Park, charcoal and white chalk on paper, study for a huge painting I did in London called Sirens of the Crescent Moon which is in a large corporate collection. 

"She Heard the Midwives Whisper", charcoal on paper, study for a painting inspired by the Isabel Allende book "House of Spirits" 

"The Conversation", charcoal on paper, study for a large interior, which is in Boston 

"The Queen of Hearts",  sepia ink on paper, study for a large painting that was auctioned to raise money for the Clown Care Unit of the Big Apple Circus. The man and head clown who started the Clown Care unit, owns the painting. The story is in the archives on this blog. 

"The Virtues of Air", charcoal on paper, study for a painting from the Painted Stories series, London

"The Weather Channel", charcoal on paper, study for a painting that is in an environmental law firm in DC

"Trained Garden Rabbits", charcoal on paper, study for a painting in my Enchanted Garden series that was shown at Tatischeff Gallery in Chelsea sold

"Woods Angel", charcoal on paper, study for a painting of the same title from the Stories from the Woods



"On the Walk Home" Highgate Cemetery, London, print on paper, framed